Wednesday, February 7, 2018

Harald Szeemann: Museum of Obsessions at the GRI

Wrapped Kunsthalle, Bern, Switzerland, 1967–68, Christo and Jeanne-Claude. Part of 12 Environments: 50 Years of the Kunsthalle Bern, Bern, 1968.


Harald Szeemann (11 June 1933 – 18 February 2005) was a Swiss curator and artist and art historian. Having curated more than 200 exhibitions, many of which have been characterized as groundbreaking, Szeemann is said to have helped redefine the role of an art curator. It is believed that Szeemann elevated curating to a legitimate art-form itself. Read more on wikipedia...


Harald Szeemann: Museum of Obsessions

February 6–May 6, 2018, GETTY RESEARCH INSTITUTE

One of the most distinguished advocates of conceptual art and postminimalism, and a figure who became synonymous with the advent of globalism in contemporary art, Harald Szeemann (Swiss, 1933–2005) developed a new form of exhibition-making that centered on close collaborations with artists and a sweeping international vision of contemporary culture. Szeemann's exhibitions covered vast areas of research, challenging traditional narratives of art history and often embracing creative fields outside the visual arts. For each of his more than 150 installations and exhibitions, Szeemann added materials to his vast library and research archive, which he referred to as the "Museum of Obsessions." His museum comprised not only the physical place of the archive but also a mental landscape that encompassed all moments of genius and artistic intensity treated in Szeemann's exhibitions, both realized and unrealized, past and future.


This exhibition is divided into thematic sections. "Avant-Gardes" addresses Szeemann's early exhibitions and his engagement with the artistic vanguards of the 1960s and early 1970s. "Utopias and Visionaries" explores a trilogy of exhibitions Szeemann organized in the 1970s and 1980s that rewrote the narrative of early 20th-century modernism as a story of alternative political movements, mystical worldviews, and utopian ideologies. "Geographies" examines Szeemann's own Swiss identity, his penchant for travel, and his focus on broad international exhibitions and regional presentations later in his career.

No comments:

Post a Comment